Bruno Vekemans I Klamotte, a wonderful mishmash

Klamotte, blue and subdued Bruno Vekemans

Hardcover book in collaboration with the artist and Gallery Verbeeck Van Dyck.

“A beautiful series of paintings by Bruno Vekemans, lots of blue, silence and subduedness, portraits and old paper. How a wonderful mishmash changes into a stationary image, freeze, the image edited, a line drawing, recycling is moulded into a painting.”

-Filmic text fragments by Eric de Kuyper

Klamotte is available on the Stockmans Art Books webshop

Other Stockmans publications on Bruno Vekemans can be found here en here.

 

About the artist

Bruno Vekemans is part of a long tradition of Flemish painters, a tradition that has never been broken, not even when painting was pronounced dead. Vekemans does belong to the generation that had the most difficult time in being accepted as a painter. The American art critic, Irving Sandler, wrote about this period: “Painting in the pluralistic era has the advantage that the artists can paint more freely than ever before, with the basic assumption that every style will receive a more or less honest valuation. The disadvantage is really that artists, even the most individual and skilled among them, are finding it increasingly difficult to attract the attention of the art world and to be acknowledged by it.”

Vekemans’s oeuvre has, from the moment that he began to draw his follies in the 1970s until today, shown a coherent progression, an almost logical evolution in which only one large digression was noticeable. This digression came around 1989, when he decided to let painting be painting and not to make any excuses for extra-pictorial stories, criticisms or analyses. He continued to radically defend this choice for the following 20 years. But even this digression did not prevent continuity from being present in his work. He continues to use the collage technique, not only technically, as a preliminary design for his paintings, but – subconsciously – philosophically, like sampling the visual culture of his times.

He is a pictorial odd-job man, in the same sense respectfully intended by Claude Lévi-Strauss in La Pensée Sauvage, a man who works with his hands and brings together existing objects to make something new. Vekemans is no philosopher, no highly-trained virtuoso painter, not a part of the artistic beau monde, but rather a worker who is fascinated by the images of his times, which he obsessively repeats and resumes in a sober, harmonious palette. And he once again dares to do what has been forbidden in the art of the 20th century for so long: experience pleasure when painting.

– Jan de Zutter

  • Bruno Vekemans
  • Verbeeck Van Dyck gallery
  • Hardcover book, hardcover with paper cover, Wibalin Natural Cotton White, full colour printed with linen spine
    Inside pages in full colour on Bio Top 3 160 gr
    endpapers, Malmero Abyss 145 gr

    120 inside pages, 210 x 270 mm

  • http://www.brunovekemans.be